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May 03, 2012
Ed and I curated a screening of Luther Price films for the LUX/ICA Biennial of Moving Images.

Ed and I curated a screening of Luther Price films for the LUX/ICA Biennial of Moving Images.

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May 03, 2012
Heading to Marfa later this month, where I’ll be presenting a screening of George Kuchar’s The Devil’s Cleavage.

Heading to Marfa later this month, where I’ll be presenting a screening of George Kuchar’s The Devil’s Cleavage.

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April 10, 2012
2 notes
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February 01, 2012
I’m giving a talk at the Museum of Modern Art in Warsaw later this month about The Unfinished Film, a show I organized for Gladstone Gallery last summer. Above: Paul Sharits, Passare III #20 11, 1988

I’m giving a talk at the Museum of Modern Art in Warsaw later this month about The Unfinished Film, a show I organized for Gladstone Gallery last summer.

Above: Paul Sharits, Passare III #20 11, 1988

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December 21, 2011
Ed and I co-curated the film program for the 2012 Whitney Biennial.

Ed and I co-curated the film program for the 2012 Whitney Biennial.

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December 16, 2011
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December 15, 2011
A year-end roundup, for the January-February issue of frieze.

A year-end roundup, for the January-February issue of frieze.

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November 17, 2011
19 notes
triplecanopy: November 17, 2011: Mass Non-Violent Direct Action

triplecanopy:

November 17, 2011: Mass Non-Violent Direct Action

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October 05, 2011
4 notes
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June 14, 2011
To mark the latest iteration of Long Film for Ambient Light, Light Industry is now hosting an online portfolio of installation documents detailing the history of the piece, drawn from Anthony McCall’s personal archives.

To mark the latest iteration of Long Film for Ambient Light, Light Industry is now hosting an online portfolio of installation documents detailing the history of the piece, drawn from Anthony McCall’s personal archives.